The New Yorker Cover - Jun 3, 2013

This cover for the June 3, 2013, issue of The New Yorker, titled "Urban Cycles," is by artist Marcellus Hall. The illustration captures a quintessential New York scene, showing a woman in a helmet about to use a bicycle from a newly installed public bike-share station. In the large window behind her, a spin class is in full swing, with people energetically pedaling on stationary bikes.

Artistic Insight

"Urban Cycles" is a witty and timely piece of social commentary, published just a week after New York City's Citi Bike program launched. The artist, Marcellus Hall, masterfully uses juxtaposition to create a gentle but perceptive critique of modern urban life. The cover highlights the irony of people inside a gym paying to simulate an activity—cycling—that is simultaneously happening outside as a form of practical, purposeful transportation. The title itself is a clever pun, referring to both the literal bicycles and the various "cycles" of work and leisure that define city living. It’s a sharp, observational snapshot of a city embracing a new way to move, while wryly noting the paradoxes of contemporary exercise.

Our ready-to-hang premium wooden frames, crafted from responsibly sourced oak or ash, feature unique wood grains for added character, making them ideal for those seeking to showcase world-class quality artwork:

• Ready-to-hang: Includes hanging kit, ready to hang directly on the wall.
• Frame Material: Responsibly sourced oak and ash wood.
• Frame Color: Natural wood, black, and white, showcasing the distinct wood grain.
• Frame Measurements: 20mm (0.79") thick and wide, wider than the classic 14mm (0.55") frame.
• Paper Weight: 200 gsm (80 lb), thickness: 0.22 mm (8.7 mils), durable and long-lasting.
• Paper Finishing: Matte, smooth, uncoated finish.
• Protection: Shatterproof plexiglass protects the poster.
• Sustainable Paper: FSC-certified materials or equivalent.