The New Yorker Cover - Jul 19, 1982

The artwork depicts a tranquil summer day on the waters of New York Harbor. A white sailboat glides across the foreground, while the background is dominated by a sun-drenched view of the Lower Manhattan skyline, with the two towers of the World Trade Center standing as its tallest and most prominent feature.

Artistic Insight

Created by Arthur Getz, one of The New Yorker's most prolific cover artists, this piece is a classic example of his signature style. Using a gentle ink-and-watercolor-wash technique, Getz captures a quintessential New York scene, softening the hard edges of the city's monumental architecture and infusing it with a sense of calm and leisure. While originally a simple, pleasant depiction of a summer day, the cover now carries a profound and unintended poignancy. For a contemporary viewer, it is a historical time capsule, preserving a peaceful moment of a skyline that was irrevocably altered nineteen years later. The image serves as a serene and powerful piece of memory, capturing the Twin Towers not as symbols of tragedy, but as they were for decades: an iconic and aspirational part of the city's everyday landscape.

Our ready-to-hang premium wooden frames, crafted from responsibly sourced oak or ash, feature unique wood grains for added character, making them ideal for those seeking to showcase world-class quality artwork:

• Ready-to-hang: Includes hanging kit, ready to hang directly on the wall.
• Frame Material: Responsibly sourced oak and ash wood.
• Frame Color: Natural wood, black, and white, showcasing the distinct wood grain.
• Frame Measurements: 20mm (0.79") thick and wide, wider than the classic 14mm (0.55") frame.
• Paper Weight: 200 gsm (80 lb), thickness: 0.22 mm (8.7 mils), durable and long-lasting.
• Paper Finishing: Matte, smooth, uncoated finish.
• Protection: Shatterproof plexiglass protects the poster.
• Sustainable Paper: FSC-certified materials or equivalent.