Oriel Nord
The New Yorker Cover - Jan 25, 1988
The New Yorker Cover - Jan 25, 1988
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This cover for the January 25, 1988, issue of The New Yorker was created by the Romanian-born artist Eugen Mihaesco. Often referred to as "Cosmic Ink," the illustration presents a simple still life of a dip pen next to an open inkwell. The magic lies within the bottle, which contains not black ink but the deep blue, starry expanse of the night sky, with visible constellations.
Artistic Insight
This cover is a profound and elegant visual poem about the power of writing and creativity. Eugen Mihaesco employs a simple, surrealist concept to convey a grand idea: that the act of writing taps into a universe of infinite possibilities. The inkwell as a container for the cosmos is a powerful metaphor, suggesting that language and storytelling hold the potential to explore and explain the entire human experience and the world beyond. The artwork beautifully connects the microcosm of the writer's desk with the macrocosm of the universe, portraying inspiration not as a fleeting thought but as a boundless, celestial source. It is a minimalist masterpiece that celebrates the magic inherent in the written word.
Our ready-to-hang premium wooden frames, crafted from responsibly sourced oak or ash, feature unique wood grains for added character, making them ideal for those seeking to showcase world-class quality artwork:
- Ready-to-hang: Includes hanging kit, ready to hang directly on the wall.
- Frame Material: Responsibly sourced oak and ash wood.
- Frame Color: Natural wood, black, and white, showcasing the distinct wood grain.
- Frame Measurements: 20mm (0.79") thick and wide, wider than the classic 14mm (0.55") frame.
- Paper Weight: 200 gsm (80 lb), thickness: 0.22 mm (8.7 mils), durable and long-lasting.
- Paper Finishing: Matte, smooth, uncoated finish.
- Protection: Shatterproof plexiglass protects the poster.
- Sustainable Paper: FSC-certified materials or equivalent.
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