This cover for the April 1, 1967, issue of The New Yorker is by the magazine's prolific cover artist Arthur Getz. The painting captures a bright but brisk day at the beach, where a couple in coats strolls along a wooden boardwalk. The composition is defined by the strong diagonal of the railing, the vast blue sky, and the windswept waves of the ocean.
Artistic Insight
Arthur Getz was a master of evoking a specific mood and atmosphere, and this cover is a perfect example of his talent. The artwork beautifully captures the distinct, quiet charm of the seaside during the off-season. The presence of coats on the figures and the whitecaps on the sea suggest the cool air of early spring, offering a more contemplative and personal experience of the beach than a bustling summer day. Getz’s use of the boardwalk's strong diagonal line is a powerful compositional choice that creates depth and pulls the viewer into the scene, inviting them to join the peaceful promenade. It is a celebration of the simple, restorative pleasure of a walk by the sea.
Our ready-to-hang premium wooden frames, crafted from responsibly sourced oak or ash, feature unique wood grains for added character, making them ideal for those seeking to showcase world-class quality artwork:
Ready-to-hang: Includes hanging kit, ready to hang directly on the wall.
Frame Material: Responsibly sourced oak and ash wood.
Frame Color: Natural wood, black, and white, showcasing the distinct wood grain.
Frame Measurements: 20mm (0.79") thick and wide, wider than the classic 14mm (0.55") frame.
Paper Weight: 200 gsm (80 lb), thickness: 0.22 mm (8.7 mils), durable and long-lasting.
Paper Finishing: Matte, smooth, uncoated finish.
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Sustainable Paper: FSC-certified materials or equivalent.
