The Mountain of Might: Utagawa Yoshitora’s Portrait of Sumo Wrestler Arauma Daigoro

This imposing image is a classic example of Ukiyo-e (woodblock printing) from Japan’s late Edo Period. Dating to 1858, this portrait by the renowned artist Utagawa Yoshitora captures the grandeur of one of the era’s celebrated sports heroes: the mighty Sumo wrestler Arauma Daigoro.

A Hero of the Floating World

During the 19th century, Ukiyo-e, or "pictures of the floating world," focused on subjects of popular culture—from Kabuki actors to beautiful courtesans and, most famously, Sumo wrestlers. Wrestlers like Arauma Daigoro were the celebrities of their time, and their images were highly sought after by fans.

Utagawa Yoshitora, a prominent artist of the dominant Utagawa school, specialized in warrior prints and heroic portraits, making the Sumo wrestler an ideal subject. Here, he presents Arauma Daigoro with monumental scale and a powerful, grounded stance, emphasizing his physical might and formal dignity.

The Significance of the Keshō-mawashi

The most striking visual element, beyond the sheer size of the athlete, is the Keshō-mawashi, or ceremonial apron. This coral-colored apron is not for fighting, but for the formal ring-entering ceremony. Its magnificent design and detail signified the wrestler’s rank and wealth.

Yoshitora’s composition features bold, powerful black calligraphy—the wrestler's name, Arauma Daigoro (荒馬大五郎)—emblazoned across the front. The apron is finished with a heavy, intricate gold fringe, highlighting the immense effort and status required to reach such heights in the sport. The wrestler’s intense, focused gaze and ready hand position complete the portrait of a warrior preparing for battle.

Framing this print is an opportunity to own a powerful piece of Japanese art history that celebrates tradition, athleticism, and celebrity culture from over 160 years ago.